Postmodern ponderings on Architecture, Urbanism and Art

10/20/25 Vortex dialogues - Step 1 (Rev 3)... more characters to come

friggin hilarious.

From this: "Start over. Generate an outline for a story: Nary a reference to pop culture is the goal. Does Zen and the Art of Motorcycle Maintenance qualify as pop culture? 1970's was Pre-formulaic era.  "Why are you trying to ruin my creativity?" "Sometimes I just want to turn it off." Cien anos de soledad. Soledad. Soleil. Sol. Solveig; While on a business trip to Phoenix, a STRANGER that i was chatting with told me: "Albuquerque is a vortex." What did that mean? How did she know? AND while I was pondering this, real life on Monday morning is pinging. THERE GOES THE JOY. Here comes the stress and the foul personality within."

 

To this Story Outline: The Vortex Dialogues

I. Opening Scene: Phoenix, Monday Morning

  • Solveig is on a business trip, stuck in a beige hotel room.

  • Her device pings. A colleague’s message is curt, demanding. Her mood sours: There goes the joy.

  • She feels the stress rise, the “foul personality within” clawing to the surface.


II. Chapter One: The Bar Conversation

  • The night before, she met three strangers at a quiet bar:

    • The Whisperer: a woman who said, “Albuquerque is a vortex,” then vanished.

    • The Analyst: a man who spoke in systems and patterns, obsessed with the 1970s as a “pre-formulaic era.”

    • The Mirror: a person who echoed her own words back to her: “Why are you trying to ruin my creativity?”


III. Chapter Two: The Drive to Albuquerque

  • Solveig impulsively cancels her meetings and drives north.

  • She texts one of the strangers—only The Mirror replies: “Sometimes I just want to turn it off.”

  • Along the way, she picks up a hitchhiker who speaks in riddles and solar metaphors: Soledad. Soleil. Sol.


IV. Chapter Three: The Vortex Gathering

  • In Albuquerque, she finds a group of people who meet weekly at a mesa.

  • They don’t call it a cult, but they speak of “the spiral,” “the hum,” and “the turn-off.”

  • Each person has a story of burnout, awakening, and strange clarity.

  • Solveig begins to see herself in their stories—but resists their pull.


V. Chapter Four: The Confrontation

  • Her colleague flies in, furious: “You’re sabotaging everything.”

  • Solveig snaps: “You’re the ping. You’re the ruin.”

  • The group watches silently. The mesa vibrates. The wind rises.


VI. Chapter Five: The Choice

  • Solveig must choose:

    • Return to her structured life, resume the pings and meetings.

    • Stay in the vortex, surrender to the spiral, and risk losing her identity.

  • She doesn’t choose either. She walks away from both.


VII. Epilogue: The Dialogue Continues

  • Months later, she receives a letter:

    • “We’re still gathering. The spiral is widening.”

  • She smiles. She writes back: Solveig. Still solving.

  • The story ends with a new ping—not from work, but from the mesa.

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